Wealthy countryman Mr. Hardcastle arranges for his daughter Kate to meet Charles Marlow, the son of a wealthy Londoner, hoping the pair will marry. Unfortunately Marlow is nervous around upper-class women, yet the complete opposite around lower-class females. On his first acquaintance with Kate, the latter realizes she will have to pretend to be common, or Marlow will not woo her. Thus Kate stoops to conquer, by posing as a maid, hoping to put Marlow at his ease so he falls for her. Marlow sets out for the Hardcastle's manor with a friend, George Hastings, an admirer of Miss Constance Neville, another young lady who lives with the Hardcastles. During the journey the two men become lost and stop at an alehouse, The Three Pigeons, for directions.Tony Lumpkin, Kate's half-brother and cousin to Constance, comes across the two strangers at the alehouse and, realizing their identity, plays a practical joke by telling them that they are a long way from their destination and will have to stay overnight at an inn. The "inn" he directs them to is in fact the home of the Hardcastles. When they arrive, the Hardcastles, who have been expecting them, go out of their way to make them welcome. However, Marlow and Hastings, believing themselves at an inn, behave extremely disdainfully towards their hosts. Hardcastle bears their unwitting insults with forbearance, because of his friendship with the father. Kate learns of her suitor's shyness from Constance and a servant tells her about Tony's trick. She decides to masquerade as a serving-maid in order to get to know him. Marlow falls in love with her and plans to elope with her but, because she appears of a lower class, acts in a somewhat bawdy manner around her. All misunderstandings are resolved by the end, thanks to an appearance by Sir Charles Marlow.
About the author
Oliver Goldsmith (10 November 1728 4 April 1774) was an Anglo-Irish novelist, playwright and poet, who is best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur'd Man (1768) and She Stoops to Conquer (1771, first performed in 1773).
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