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Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase

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13-115
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase
Joseph Heller "Catch-22" Signed First Edition, First Printing w/COA , Custom Traycase

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Personally signed and dated by Joseph Heller. Catch-22 was one of the most significant works of protest literature to appear after World War II.

"THAT'S SOME CATCH, THAT CATCH-22"

New York: Simon and Schuster 1961. Joseph Heller "Catch-22". Octavo, original blue cloth, original dust jacket. Signed and dated by the author directly onto the FFEP (First Free End Paper) on 4/18/80. First edition, first printing, of this extraordinary first novel whose title has come to define an unwinnable situation— an "explosive, bitter, subversive, brilliant book." Hardcover book with dust-jacket with "First Printing" on copyright page as required. Original dust-jacket showing the price $5.95 on the bottom portion of the flap. Includes bookseller issued COA. Custom matching traycase.

Catch-22 is a satirical novel by the American author Joseph Heller. He began writing it in 1953, and the novel was first published in 1961. It is set during World War II in 1943 and is frequently cited as one of the great literary works of the twentieth century. It uses a distinctive non-chronological third-person omniscient narration, describing events from different characters' points of view and out of sequence so that the time line develops along with the plot.

 

"One of the most bitterly funny works in the language," Joseph Heller's first novel quickly became a classic of anti-war literature.

"When the novel appeared in 1961, World War II veterans appreciated its satire of the military bureaucracy and the chaos of war. By the mid-1960s, it had become a cult classic among counterculture activists for its biting indictment of war" (New York Public Library, Books of the Century, 117).

"I believe that Joseph Heller is one of the most extraordinary talents now among us," wrote critic Robert Brustein. In Catch-22, "even the logic of survival is unworkable. But at least we can still contemplate the influence of its liberating honesty on a free, rebellious spirit in this explosive, bitter, subversive, brilliant book" (New Republic). 



Catch-22

Catch-22 is like no other novel. It is one of the funniest books ever written, a keystone work in American literature, and even added a new term to the dictionary. At the heart of Catch-22 resides the incomparable, malingering bombardier, Yossarian, a hero endlessly inventive in his schemes to save his skin from the horrible chances of war. His efforts are perfectly understandable because as he furiously scrambles, thousands of people he hasn't even met are trying to kill him. His problem is Colonel Cathcart, who keeps raising the number of missions the men must fly to complete their service.

Yet if Yossarian makes any attempts to excuse himself from the perilous missions that he is committed to flying, he is trapped by the Great Loyalty Oath Crusade, the hilariously sinister bureaucratic rule from which the book takes its title: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes the necessary formal request to be relieved of such missions, the very act of making the request proves that he is sane and therefore ineligible to be relieved.

 

More on Catch-22

While sitting at home one morning in 1953, Heller thought of the lines, "It was love at first sight. The first time he saw the chaplain,  fell madly in love with him.  Within the next day, he began to envision the story that could result from this beginning, and invented the characters, the plot, and the tone that the story would eventually take. Within a week, he had finished the first chapter and sent it to his agent. He did not do any more writing for the next year, as he planned the rest of the story. The initial chapter was published in 1955 as "Catch-18", in Issue 7 of New World Writing.

Although he originally intended the story to be no longer than a novelette, Heller was able to add enough substance to the plot that he felt it could become his first novel. When he was one-third done with the work, his agent, Candida Donadio, sent it to publishers. Heller was not particularly attached to the work, and decided that he would not finish it if publishers were not interested. The work was soon purchased by Simon & Schuster, which gave him US$750 and promised him an additional $750 when the full manuscript was delivered. Heller missed his deadline by four to five years, but, after eight years of thought, delivered the novel to his publisher.

The finished novel describes the wartime experiences of Army Air Corps Captain John Yossarian. Yossarian devises multiple strategies to avoid combat missions, but the military bureaucracy is always able to find a way to make him stay. As Heller observed, "Everyone in my book accuses everyone else of being crazy. Frankly, I think the whole society is nuts – and the question is: What does a sane man do in an insane society?"

Just before publication, the novel's title was changed to Catch-22 to avoid confusion with Leon Uris' new novel, Mila 18. The novel was published in hardback in 1961 to mixed reviews, with the Chicago Sun-Times calling it "the best American novel in years", while other critics derided it as "disorganized, unreadable, and crass". It sold only 30,000 hardback copies in the United States in its first year of publication. Reaction was very different in the UK, where, within one week of its publication, the novel was number one on the bestseller lists. In the years after its release in paperback in October 1962, however, Catch-22 caught the imaginations of many baby boomers, who identified with the novel's anti-war sentiments. The book went on to sell 10 million copies in the United States. The novel's title became a standard term in English and other languages for a dilemma with no easy way out. Now considered a classic, the book was listed at number 7 on Modern Library's list of the top 100 novels of the century. The United States Air Force Academy uses the novel to "help prospective officers recognize the dehumanizing aspects of bureaucracy."

The movie rights to the novel were purchased in 1962, and, combined with his royalties, made Heller a millionaire. The film, which was directed by Mike Nichols and starred Alan Arkin, Jon Voight and Orson Welles, was not released until 1970.

In April 1998, Lewis Pollock wrote to The Sunday Times for clarification as to "the amazing similarity of characters, personality traits, eccentricities, physical descriptions, personnel injuries and incidents" in Catch-22 and a novel published in England in 1951. The book that spawned the request was written by Louis Falstein and titled The Sky Is a Lonely Place in Britain and Face of a Hero in the United States. Falstein's novel was available two years before Heller wrote the first chapter of Catch-22 (1953). The Times stated: "Both have central characters who are using their wits to escape the aerial carnage; both are haunted by an omnipresent injured airman, invisible inside a white body cast". Stating he had never read Falstein's novel, or heard of him, Heller said: "My book came out in 1961 I find it funny that nobody else has noticed any similarities, including Falstein himself, who died just last year".

 

Reviews

"Catch-22 is the only war novel I've ever read that makes any sense." —Harper Lee

“One of the most bitterly funny works in the language . . . Explosive, bitter, subversive, brilliant.” —The New Republic

“To my mind, there have been two great American novels in the past fifty years. Catch-22 is one.” —Stephen King, Entertainment Weekly

“This novel is not merely the best American novel to come out of World War II, it is the best American novel that has come out of anywhere in years.” —Nelson Algren, The Nation

“It’s the rock and roll of novels . . . There’s no book like it. . . . Surprisingly powerful.” —Norman Mailer, Esquire

“One of the greatest anti-war books ever written.” —Vanity Fair

 

 

Joseph Heller

Joseph Heller (born May 1, 1923, Brooklyn, New York, U.S.—died December 12, 1999, East Hampton, New York) was an American writer whose novel Catch-22 (1961) was one of the most significant works of protest literature to appear after World War II. The satirical novel was a popular success, and a film version appeared in 1970.

During World War II, Heller flew 60 combat missions as a bombardier with the U.S. Air Force in Europe. After receiving an M.A. at Columbia University in 1949, he studied at the University of Oxford (1949–50) as a Fulbright scholar. He taught English at Pennsylvania State University (1950–52) and worked as an advertising copywriter for the magazines Time (1952–56) and Look (1956–58) and as promotion manager for McCall’s (1958–61), meanwhile writing Catch-22 in his spare time.

Released to mixed reviews, Catch-22 developed a cult following with its dark surrealism. Centring on the antihero Captain John Yossarian, stationed at an airstrip on a Mediterranean island during World War II, the novel portrays the airman’s desperate attempts to stay alive. The “catch” in Catch-22 involves a mysterious Air Force regulation that asserts that a man is considered insane if he willingly continues to fly dangerous combat missions but, if he makes the necessary formal request to be relieved of such missions, the very act of making the request proves that he is sane and therefore ineligible to be relieved. The term catch-22 thereafter entered the English language as a reference to a proviso that trips one up no matter which way one turns.

Heller’s later novels, including Something Happened (1974), an unrelievedly pessimistic novel, Good as Gold (1979), a satire on life in Washington, D.C., and God Knows (1984), a wry, contemporary-vernacular monologue in the voice of the biblical King David, were less successful. Closing Time, a sequel to Catch-22, appeared in 1994. His final novel, Portrait of an Artist, as an Old Man (2000), was published posthumously, as was Catch As Catch Can: The Collected Stories and Other Writings (2003). Heller also wrote an autobiography, Now and Then: From Coney Island to Here (1998), and his dramatic work includes the play We Bombed in New Haven (1968).

NEAR FINE hardcover book. Square and tight spine. Appears unread with sharp corners that are not bumped. No markings, writing, or stamps. No bookplates attached or indication of any removed. Spine graphics clear and not faded. Some light marks to boards and top of spine. Page edges are clear. The Dust-jacket is Very Good+ with some chipping to the top and bottom of the spine. Mild tanning. Original and not restored. Photos of actual item.
Publisher:
Simon & Schuster
Edition:
Signed First Edition, First Printing
Binding:
Hardcover with dust-jacket
Publication Date:
1961
Author:
Joseph Heller
Title:
Catch-22