Easton Press "The Rembrandt Family Bible" Leather Bound Collector's Edition, Limited Edition, Illustrated [Sealed]

This impressive Bible is one of the largest ever published by Easton Press.

Easton Press, Norwalk. CT. "The Holy Bible" Limited Edition. Full genuine leather. This version is illustrated with 44 color paintings and 72 monochrome drawings and etchings by Rembrandt. One of the finest bibles ever produced that includes a 225 page encyclopedia. A silk headband for each volume.

This bible contains 1,385 pages in total and measures  8.75" x 11.75".

116 Masterpieces by Rembrandt Van Rijn

This deluxe edition has been luxuriously bound in premium-quality genuine leather. The spine has been stamped in 22kt gold with a specially commissioned design. The pages are printed on acid-neutral paper to ensure your book will last for generations. Each book is Smyth-sewn, with moire endsheets and three satin-ribbon page markers. This is a leather-bound heirloom edition your family will treasure forever.

Features

Includes all the classic Easton Press qualities:

* Premium Leather
* Silk Moire Endleaves
* Distinctive Cover Design
* Hubbed Spine, Accented in Real 22KT Gold
* Satin Ribbon Page Marker
* Gilded Page Edges
* Long-lasting, High Quality Acid-neutral Paper
* Smyth-sewn Pages for Strength and Durability
* Beautiful Illustrations

About Rembrandt

Rembrandt Harmenszoon van Rijn (15 July 1606[1] – 4 October 1669) was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer.

Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters.

Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.

In his works he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization". The French sculptor Auguste Rodin said, "Compare me with Rembrandt! What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him!"

Wikipedia