1978 Franklin Mint Corporation, Kurt Vonnegut "Slaughterhouse-Five" Signed Limited Edition w/ Self-Portrait Drawing, Leather-Bound, COA

Personally signed by Kurt Vonnegut with a self-caricature drawing.

"Everything was beautiful and nothing hurt."

The Franklin Library. Copyright 1978. The Franklin Mint Corporation. Kurt Vonnegut "Slaughterhouse-Five" Printed in the United States of America. 173 pgs. Signed Limited Edition. This limited edition has been personally signed by Mr. Vonnegut with a self-caricature drawing directly onto the FFEP (First Free End Paper). Elaborate gilt-tooled binding. Illustrated by Alan E. Cober.

Display Vonnegut's masterpiece as a respectful tribute to his influence on modern literature. Vonnegut's most powerful book and also as important as any written since 1945. Featured on all three major lists of the top books of the 20th century, "Slaughterhouse Five" is one of Kurt Vonnegut's most well-known novels.

A luxurious leather-bound collector's edition from The Franklin Library. 

Features

Includes all the classic Franklin Library qualities:

* Premium Leather
* Silk Moire Endleaves
* Distinctive Cover Design
* Hubbed Spine, Accented in Real 22KT Gold
* Satin Ribbon Page Marker
* Gilded Page Edges
* Long-lasting, High Quality Acid-neutral Paper
* Smyth-sewn Pages for Strength and Durability
* Beautiful Illustrations

Slaughterhouse-Five

Slaughterhouse-Five is one of the world's great anti-war books. Centering on the infamous fire-bombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know. The contents of this book are studied in universities around the world.

Slaughterhouse-Five is taken from the name of the building where the POWs were held. Like Catch-22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it unique poignancy -- and humor.

Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes 'unstuck in time' after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.

Kurt Vonnegut

Kurt Vonnegut, Jr. (November 11, 1922 to April 11, 2007) was a prolific and genre-bending American author. The novelist is known for works blending satire, black comedy and science fiction, such as Slaughterhouse-Five (1969), Cat's Cradle (1963), and Breakfast of Champions (1973). He is also known for his humanist beliefs and being honorary president of the American Humanist Association.

He was a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America's attention in The Sirens of Titan in 1959 and established him as "a true artist" with Cat's Cradle in 1963. He was, as Graham Greene declared, "one of the best living American writers.

Design career

Vonnegut's work as a graphic artist began with his illustrations for Slaughterhouse-Five and developed with Breakfast of Champions, which included numerous felt-tip pen illustrations, such as anal sphincters, and other less scatological images. Later in his career, he became more interested in artwork, particularly silk-screen prints, pursued in collaboration with Joe Petro III.

In 2004, Vonnegut participated in the project The Greatest Album Covers That Never Were, where he created an album cover for Phish called Hook, Line and Sinker, which has been included in a traveling exhibition for the Rock and Roll Hall of Fame.